Tim Finnegans Wake – 1898 Berliner Disc - w/Brad Kay

This was written August 2010 during the BP oil catastrophe, which still continues.  See: http://bpoilslick.blogspot.com/ and http://www.projectgulfimpact.org/

….to mess with the Funkadelic line, for it better describes the idea for today.

Radical changes in environment necessitate a technological change. In other words, if we want to change how we are living, we need a new technology to do it.  This is the lesson of Marshall McLuhan.

For all new technologies create environments composed of services and disservices. The technology associated with oil created an environment of services and disservices, many of which carried over from coal and wood, and many of which were new and novel.

Some of the services of the oil environment were gasoline and drives to the beach; mechanics’ shops and drive-in movies. The oil landscape created plastic Space pens and life-saving medical devices. Petroleum increased food production through fertilizers and farm machines. All of these things allowed human populations to expand and live longer.

Some of the disservices include toxic gases, pollution, plastic trash, dead zones, Dick Cheney… There are many more, and it’s productive to inventory with a group to gather lots of unexpected effects.

All of these services and disservices, including the rig workers, Ipod buyers, and those Americans who eat Peruvian cantaloupes in the winter, create the oil environment and this just goes to show how huge and pervasive these technological environments are.

Which makes it all the more unnerving that, with the exception of artists, we only notice these environments when they’ve gone. We don’t generally notice the air we breathe, only when it’s gone. A fish doesn’t know it’s in water – until it’s not.

Technological environments go unnoticed as ambient background. When a figure pops out of the ground, our attention is directed, and en mass, we respond to the novelty, ignoring the ambient environment that spawned that figure.

But that’s where the action is – in the ground. Effects precede causes, and the ambient background is where each new technological revolution is self-organizing as we autonomically shape our institutions with it. We begin to live a new technology before it actually arrives, haltingly, and unaware. Eventually, the structure coalesces, emerging from the background as a figure.

After we notice the figure, it ceases to work on us subconsciously, and becomes obsolete. Visualizing and naming the figure, we believe we have some measure of control. Still, deliberate adjustments to new technology is the norm and can be very disruptive, obliterating the previous technology.

A curious effect of obsolete technology was pointed out by Bob Neverit and that is when something is obsolete, there’s more of it. Now the natural tendency when hearing that something is obsolete, is to think it gone and disappeared. It turns out, that generally, when something is obsolete, there is, at least initially, more of it!

Consider when CDs came out. CDs made records obsolete. But records continued in popularity for years, increasing in production, until eventually declining (and fulfilling the destiny of all obsolete technology a la McLuhan – becoming art forms in DJ performance.)

Well we face the end of the oil age. Oil is now obsolete. And we know it’s the end for it is clearly visible before us as a figure, a sprawling huge monster consuming more and more of our attention. All of America has been pointing to the petroleum environment throughout the summer, an orgiastic finale to the awareness and visualization of the oil landscape in our communal TV body that began when Jimmy Carter put solar panels on the Whitehouse.

We are drowning in oil, we’ve got more than we can use, the dark mess of it polluting the water, and let’s be honest, killing whole generations and species of life on Earth, whose diversity and uniqueness is a treasure among treasures in the universe.

And let’s note this sign of the End of the Oil Age: Matt Simmons has crossed over. A long-time oil insider whose integrity brought controversy, his candor and conviction will be missed.

But the oil environment won’t. And after this peak, after this frenzy of attention, after this crude bath, when our fuel for this environment is no longer economically viable, then the services and disservices of the oil environment will cease to exist as such, and our lives will change.

The obsolescence of oil means cold fusion is already here, coalescing in the ambient environment around us. This is the Mystery landscape of five-bodied media theory. We are structuring the cold fusion economy right now, though unaware of the mechanics of it. Cold fusion is already here and though we can’t see it yet as a figure, attention continues to focus in.

We’ll be stumbling around this mystery landscape for a while longer, and when we’re ready, we can shape a future based on clean energy whose fuel is the hydrogen in seawater. We accelerate this process by our attention to it. Every conversation about new energy adds to the reality. Every word you type evokes the focus on the figure.

Talking and typing in the new cold fusion economy. Good or bad, positive or negative is irrelevant. The meme is alive in the Mystery landscape, and we are accelerating it’s process.

Robert K. Logan (°1939) is a physicist and media ecologist. He obtained his PhD at the Massachusetts Institute of Technology (MIT) in 1965 and was a professor of physics at the University of Toronto until his emeritate in 2005.

via Keynote Speakers « McLuhan’s Philosophy of Media.

McLuhan Misunderstood: Setting the Record StraightRobert K. Loganlogan@physics.utoronto.caIntroduction

via McLuhan misunderstood «.  very good to read analysis.

MARSHALL McLUHAN SPEAKS
CENTENNIAL 2011
Introduction
Sayings
Prophecies
Understanding Me
Electric Age
Television

for McLuhan Centennial celebrations

ok

a video

By DAVID CARR
Published: January 6, 2011

Put less charitably, McLuhan was the clock that was spectacularly right once a century. What made him singular was not his precision — anybody who takes “Finnegans Wake” as an ur-text will probably have a low signal-to-noise ratio. In between the puns, the aphorisms, the digressive language that seemed to chase itself and riddle the reader, McLuhan came up with a theory of media generation and consumption so plastic and fungible that it describes the current age without breaking a sweat.

welcome to the blog, join us every first tuesday LIVE  at MDRey Lieberry

Please mark your calendars now for Gerry Fialka’s presentation of James Joyce and Experimental FIlm http://www.laughtears.com/wakedreamawake.html at  http://www.joyceconference2011.com/

Please join a community of Angelenos (ages range from 22 to 92) who have explored media, Marshall McLuhan and James Joyce since1995. The MARSHALL McLUHAN-FINNEGANS WAKE READING CLUB meets first Tuesdays - Jan4, Feb1, March1, Apr5, May3, June7, July5, Aug2, Sept6, Oct4, Nov1, Dec6, 2011 from 6-8pm at Lloyd Taber-Marina Del Rey Library, 4533 Admiralty Way, Marina Del Rey, CA 90292, phone 310-821-3415. Free admission. No previous experience is necessary. A desire to explore what humans have invented is encouraged. More info: Gerry Fialka 310-306-7330 & visit: http://www.venicewake.org/
“The world of discontinuity came in most vividly with the telegraph and the newspaper. The stories in the newspaper are completely discontinuous because they are simultaneous. They’re all under one dateline, but there’s no story line to connect them. TV is like that. It’s an X-ray, mosaic screen with the light charging through the screen at the viewer. Joyce called it, “the charge of the light barricade.” In fact, FINNEGANS WAKE is the greatest guide to the media ever devised on this planet, and is a tremendous study of the action of all media upon the human psyche and sensorium. It’s difficult to read, but it’s worth it.” -McLuhan

In illuminating the night world, private and collective, Joyce in FINNEGANS WAKE has only done what the electric light had done in abolishing the old divisions between night & day, and between inner and outer space, with respect to human work and play. As soon as the complementary dynamics of inner and outer, conscious and unconscious were displayed, it became easy to observe the operation of languages  in shaping human assumptions, both sensuous and psychological. FINNEGANS WAKE is an encyclopedia of lore concerning the origins and effects of words, of writing, of roads and bricks, of telegraph, radio, and television on the changing hues  of the human spectrum.” -McLuhan

“Artists are engaged in writing a detailed history of the future because they are the only people who live in the present.” – Wyndham Lewis
“I am very impressed by Gerry Fialka’s energy in bringing together groups of people to think about ideas. That is very much in the McLuhan spirit to create and foster interdisciplinary, living, educational projects in which people can talk about ideas. He creates forums that bring together a plurality of critical perspectives into one multivalent conversation.” – Janine Marchessault, author of MARSHAL McLUHAN: COSMIC MEDIA.

Recommended Reading: anything by McLuhan, McLUHAN IN SPACE-Cavell, McLUHAN:COSMIC MEDIA-Janine Marchessault, THE VIRTUAL MARSHALL McLUHAN- Theall, THE LEGACY OF McLUHAN-Strate & Wachtel, anything by Frank Zingrone, anything by Robert Dobbs fivebodied.com

“What McLuhan contributed were not ideas, arguments, theories or critiques, but intuitions, perceptions, wandering explorations of unexplored terrain, satiric responses and poetic reactions…His primary game: teasing people into believing his percepts to be theoretical concepts…” -Donald Theall, THE VIRTUAL MARSHALL McLUHAN